FREEThe Cordis Letters, from the editorial officeSubscribe →
Publish with us

How a book gets made here.

Cordis House publishes a small number of books each year, all of them edited by its founder, Ron Smith. This page sets out what the house publishes, what it does not, and every phase a book goes through before it reaches a reader.

What we learned the hard way

None of this is secret. It is just nobody’s job to tell you.

The free ISBN is not free. If you take the identifier the retailer hands you, the retailer owns it. Your book lists as “Independently published”, and you cannot carry that ISBN to another printer or distributor later. You buy your own, or you rent your book’s name.

One ISBN per format, and an ISBN can sit in only one global distribution program at a time. Hardcover, paperback, and ebook are three identifiers, and the choice of where each one is enrolled is close to permanent in practice.

Page counts rule out printers. One major hardcover program has a 75-page minimum. A picture book is 32, 40, or 48 pages. You can find that out before you lay the book out, or after. We found out after.

You do not get the customer. When a reader buys your book from a retailer, that reader belongs to the retailer. You get a royalty line on a report. No name, no email, no way to tell that person the next book exists. That single fact shapes everything about how a small press should be built.

Bookstores need two settings most authors never see. Wholesale discount and returnable. If those are wrong, a store physically cannot order your book, and nothing in the interface tells you that is why.

It costs less than you think. Outside of illustration, the production side of our first book ran a couple hundred dollars. The expensive part was never money. It was the months spent making decisions in the wrong order.

Cordis House publishes a small number of books each year. Not because we are precious about it, but because we would rather bring a few meaningful things into the world than a lot of forgettable ones. That is true of the books we write ourselves and the ones we do not.

A printed copy of Hands Like Daddy’s in its open shipping box

What we build around a book

A book is the center of the work, not the whole of it. For Hands Like Daddy’s we wrote and recorded a song, shot a music video, built activity material for classrooms and families, and designed the pages that let a kid keep going after the last spread.

None of that is the book. All of it is how the book finds people.

That is the part most authors are left to figure out alone, and it is the part we are built to do.

And what it does not

What the house does not publish.

Books outside the lists above. No adult fiction, no poetry, nothing that does not belong on one of the three lists.

Books paid for by their authors. Authors are not charged to be published under a Cordis imprint. Production work for books published elsewhere is a separate offer, described on the services page.

Books rushed to meet a season. A book goes out when it is ready.

The method, in the open

Nine phases, in order.

Every book on the list goes through the same nine phases. They are published here so an author can see exactly what happens to a book, and so a reader can see why it looks the way it does.

Phase 01

Decide what the book is

Before a word is written: who the book is for, what it has to do for them, and which list it belongs on. For Hands Like Daddy’s the answer was a picture book for the children of trade-business families, ages four to eight.

Phase 02

Write it

The author writes the book. The founder edits every title on the list, line by line, until each page does one job and the whole book does the one thing it was for.

Phase 03

Art direction

For illustrated books, references are gathered first, then the characters and the style are locked before a single spread is drawn. Hands Like Daddy’s runs to 14 spreads, illustrated by Cordis Studio.

Phase 04

Build the file

Interior and cover are built to the trim and the format: 48 full-color pages at 8.5 by 11 inches for the picture book, 300 pages at six by nine inches for Buyer-Ready.

Phase 05

Make it legal and real

An ISBN for every format, the copyright page, the metadata retailers read and, where it applies, a Library of Congress Control Number. Hands Like Daddy’s carries LCCN 2026945199.

Phase 06

Pick the printing rails

Each format goes where its readers buy. Hands Like Daddy’s is available to order from booksellers and libraries worldwide. Buyer-Ready is sold on Amazon and direct.

Phase 07

Proof it

Physical proofs are ordered, read and photographed. A book meant to be handled is checked in the hand, not on a screen.

Phase 08

Build demand before printing

Readers hear about a book from the house first, through The Cordis Letters, before it is on sale. Orders for Hands Like Daddy’s opened with a letter.

Phase 09

Launch and sell

Publication day is planned, not hoped for. The Hands Like Daddy’s hardcover was published June 15, 2026, and its companion song from Cordis Music followed on Father’s Day.

Outside authors

Working with outside authors.

So far every title on the list is written by the founder, or made by Cordis Studio from his books. There is no roster of outside authors, and this page will not imply one.

The house works with outside authors rarely, and only when the fit is exact: a book that belongs on one of the lists, by an author who wants it made this way, all nine phases included. If that changes, this page will say so.

Every step, with the receipts

We wrote down how we made the first one, in order, with the actual artifact from each step: the title page, the Founding Reader certificate, the boxes, the doorsteps, the reviews.

See the build →

Art direction

A cover is a decision, not a template.

Buyer-Ready went through three complete cover routes before one was chosen. Not three colorways of one idea. Three different arguments about what the book is and who it is for, each built far enough to be judged against the other two.

The one that shipped is the quietest of the three. That is usually how it goes, and it is not a call an author should be making alone at midnight inside a template.

Cover route one, leading with the series name and a chart
Route one · lead with the method
Cover route two, the chosen route, set in slate and gold
Route two · chosen
Cover route three, leading with the argument in heavy type
Route three · lead with the argument
After publication

What the house carries for you.

A book that is finished and not reachable is not published. These are the rails the house already runs, for every title on the list.

Identity

Your own ISBN

One per format, owned by the house, not borrowed from a retailer. Plus the copyright page, the metadata retailers read, and a Library of Congress Control Number where it applies.

Reach

Booksellers and libraries

Titles are listed in the catalogues booksellers and libraries order from, worldwide, and printed to order in territory. No warehouse, no print run to gamble on.

Retail

The product page, built

Description, keywords, categories and the A+ content modules below the fold, written and built by the house rather than left at defaults.

Proof

Printed before it lists

Physical proofs are ordered, read and photographed before anything goes on sale. A book meant to be handled is judged in the hand.

Audience

Readers before launch

Every title is announced to the house list first, in a letter, before it is on sale anywhere. The first edition of the first title was funded that way.

Afterlife

What the book becomes

Songs, recordings, classroom material, companion editions. Four imprints exist so a book is not limited to the format it started in.

Every step of this is documented, in order, with the artifact from each one, on the build.

Submit a manuscript

We read everything that comes in, and we answer either way. We publish a small number of books a year, so most answers are no even when the book is good.

The questions below are long on purpose. If you can answer them, we can probably help you.

You
Is this your first book?
The book
Where is the manuscript?
Illustrations
Your read on it
What you’ve already tried
Have you queried agents or publishers?
Have you self-published before?
Do you own an ISBN for this book?
Have you used any of these?
What you want from a publisher
Choose any that apply.
The honest one
Confirmations

We read everything.
We answer either way, usually within two weeks.
We publish a small number of books a year.